Momentum; EBPCO's 2024 Member's Exhibition Curated by Malcolm Wallace

Curated by Malcolm Wallace

Image by Ashim Hajra

Momentum is a photography exhibition that captures the beauty, energy, and emotion of movement through diverse scenes and subjects. This collection invites viewers to explore movement as a universal thread woven into nature, cities, and daily life. Featuring striking moments frozen in time and sweeping motion blurs, the exhibition presents scenes from dynamic urban streets and tranquil landscapes, as well as intimate portraits and the lively rhythms of wildlife.

Long Exposure Self Portrait by John McDougal

The Atom Age at 924 Gilman by Jonathan Botkin

Golden Gate Bridge and Fort Point by John McDougal

Caveman at 924 Gilman by Jonathan Botkin

Jumping the Berm by Fairlight de Michelle

Each image tells a unique story of life in motion—whether it’s the rush of wind through trees, the pulse of city streets, or the expressive gestures of human and animal subjects. With contrasts between sharp, suspended action and ethereal, flowing blurs, Momentum encapsulates the endless ways in which movement shapes our experiences and emotions. This exhibition invites viewers to pause, reflect, and see the world through the lens of motion—a force that connects and drives all of us.

Unimagined wonder is waiting to be born by J.M. Golding

Francis Bubbles Does Not Play! by Ashim Hajra

Escuela del Ballet Folklórico de México, unique multi-exposure in-darkroom print by Beatrice Thornton

Passin' Through, Kettle Falls, Washington by Kevin Levesque

Scattering Theory #8 by Douglass Stinson

Running from the Cowboy by John Templeton

Barrel Rider at the Gay Rodeo by Tristan Crane

Tundra Wolves Fight for Leadership of the Pack by John Templeton

Steptoe Flyer in Late Afternoon Sun #3 by Gordon Osmundson

About the Curator

Malcolm is an event photographer who has documented events, trainings, and conferences all across the San Francisco Bay Area. Through the lens of his camera, he seeks out the essence of each event and captures it in a way that is both unique and compelling.

Malcolm’s first experiences with photography were in documenting the Bay Area’s diverse bike scene, and he quickly moved into telling the stories of the many aspects of social service agencies as his main profession. Even as his focus has become corporate event photography, Malcolm regularly supports the community work of local agencies and organizations as their principal photographer. Malcolm’s work documenting the Bay Area bike scene was featured in Oakland Photo Workshop’s inaugural exhibition.

About the Curator

About the Artists

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